You can play an essential role in bringing Deborah Merola's film to the screen
You can play an essential role in bringing Deborah Merola's film to the screen
The seeds of Deborah Merola's wide-ranging career as an Actress, Theater Director and Educator are planted as Young Debbie imbues the people and events in her neighborhood with her extraordinary powers of imagination.
For example, opening scenes in 607 Clark Avenue include a “Toad’s wild ride” down Clark Avenue with Young Ceil on the back of Young Debbie’s tricycle, and accidentally shooting an arrow through an unsuspecting neighbor’s window playing “Indians”. Also, Young Debbie's great disappointment when her Daddy's big surprise turns out to be a Volkswagen and not a baby brother or a monkey!
When Young Dottie moves into the neighborhood, Young Debbie learns about the escapade with her escaping pet snakes and the girls meet a Sikh in a pink turban at the Avery Elementary School playground. Consequently, the girls dream of far-off lands like Egypt and India while swinging in the backyard apple tree.
The hot summers seem magically to never end as the budding theatre director Debbie dreams up performances for a growing band of girls, with her dog Rusty a constant “walk-on”.
There is a memorable Mock Wedding, spying on neighbors as Nancy Drew-Girl Detective, and playing war as Audie Murphy in To Hell and Back at the local stone quarry. Debbie and Dottie talk about crushes on movie stars, dye their hair and hobble to the local drug store soda fountain in their mother’s high heels.
Like Tom Sawyer, Debbie gets her friends to do all the heavy lifting transforming her living room into a Flower Drum set and buying Chinese take-out, while she changes into a turquoise satin sheath and applies red lipstick and black eyeliner to surprise an astonished first date.

Young Debbie is deeply affected by Huck’s and Jim’s time on the River in The Adventures of Huckleberry Finn when the White boy and runaway Black slave live as equals. Debbie realizes that she and her friends have never ventured across the railroad tracks at the bottom of Clark Avenue to the all-Black neighborhood. Dottie also shares her story of unwittingly forcing Blacks to move to the back of the bus on a visit to New Orleans through her choice to take a set in the middle. And on a trip to Mark Twain’s home in Hannibal, Debbie tries to figure out what makes her uncomfortable about the plantation atmosphere of a hotel dining room with Black waiters dressed in white gloves.

As years pass, there are growing signs of trouble. Debbie finds her father asleep in the afternoon instead of going to work. Her parents are drinking too much and arrive dangerously late to pick her up as a tornado approaches. When her parents fall into a compromised relationship with another couple, Debbie sits out her father’s birthday party and witnesses a painfully comical fight between her mother and another woman.
Deborah Merola

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